The Picture Show
An element of the small and big screens that I find unappealing is the incessant hype that is produced by production companies for their products. It builds to a crescendo within the consumer realm to the point where I automatically put up a defensive wall to it all. You’ve all seen it before – the endless commercials, newspaper articles, and perhaps even merchandise – and it’s a shadowy beast with evil yellow eyes. Like Medusa, it’s best not peered upon directly. The Sopranos and 300 benefited from the marketing beast.
Frank Miller, who I think is a very talented filmmaker, perhaps in the top five contemporary filmmakers, recently put together the film 300. Forgoing Three Hundred as a title, this simply titled film depicts the defense of Sparta, back in the day, by only 300 Spartans. Defense from what? A whole lot of Persians… by a lot, I mean hundreds of thousands, apparently. The title, 300, is simple because the film, itself, was made for the simple.
The film had some really poor plot points with overly predictable outcomes. Before I continue, let me say that I can’t stand popular action films. Why? At risk of being called arrogant, I’m just too smart. When a hero, who is living in the real world, drives a taxi cab into a toll booth to launch it at a helicopter, I feel insulted. And I end up developing an unhealthy disdain for the film. When a feeble character is denied glory by a stronger character, of course the feeble character is going to turn on the stronger character. There’s no thought involved, and that’s where 300 fails miserably.
When this film was released in the theaters, all the macho males went ballistic. “It kicked so much ass!” “It’s awesome!” “SPARTA!!!!” In light of the homoerotic cries of joy from other men, I quietly awaited its release on DVD, and was grateful for the Blu-Ray disc that appeared in my mailbox thanks to Netflix. My opinion belated. The movie wasn’t what others claimed – it wasn’t that good.
Gratuitous violence and blood, which bored me. Gratuitous female nudity, which I enjoyed. Gratuitous male nudity, which wasn’t enough to get my girlfriend to watch.
The music, in most cases was annoyingly anachronistic and the overall story inconsistent with history.
What concerned me was the potential for the anti-Muslim community to use this film as inspiration. You know there are people who saw this film and said: “HELL YEAH! See?! We can beat those people! Hoorah!”
With a poorly developed story and even worse dialog, the film has some positive aspects. The most apparent being the visuals: this is one of the most beautiful films I’ve seen in a long time. The images, thanks to a lengthy development, are worthy of most art galleries. Miller did an amazing job capturing moments of beauty and death though the camera. Here are three examples:
In American cinema, there’s no other film that looks like 300. For that reason, you should watch it, but only if you have an HDTV and a Blu-Ray player. It’s an astounding looking film. It’s the super model of films – looks amazing… that’s all.
Overall: 6/10
The Sopranos recently presented me with another reminder that time passes by quickly. This popular HBO series which follows the life of fictional New Jersey crime-boss, Tony Soprano, originally aired in 1999. It recently completed it’s final season, being its sixth. Up to about a month ago, I watched only 10 minutes of The Sopranos, due to my aversion to the hype monster. Water cooler discussions and even Howard Stern mentions weren’t enough to get me interested. But that changed…
I’m three episodes into the fifth season now and very happy to say that the series lives up to the hype. With a handful of episodes being throwaways, the series is very strong, held together by good writing and even better acting. The latter being the most impressive recently, to the point where I’d like to declare the Season 4 finale to represent the best acting I have ever seen on television.
Edie Falco’s performance, in particular, I found very moving. At this point in her character’s development, she’s at the end of her wit with her husband (Tony) and his absence in their marriage. James Gandolfini’s (Tony) performance was just a tier below Falco’s, both winning an Emmy for their work. This episode is the best in the series and the best I’ve ever seen on T.V. By the end, I was so worn out by the episode, I had to go to bed.
Finally, a dramatic series that knows how to use music… just watch "Mr. Ruggerio's Neighborhood,” which is the first episode of season three.
I’m very pleased with my discovery of the Sopranos and even more content with the fact that the series, thus far, lives up to the hype. David Chase, in spite of all the drama surrounding his choice of how to end the series, does a wonderful job of bringing these dysfunctional characters to life. He doesn’t try to recycle The Godfather or Goodfellas, but provides a fresh look at an American legacy of mobster stories. I know I will be saddened to see it end in 26 episodes…
If you haven’t watched The Sopranos, do yourself a favor and rent the first season from Blockbuster or Netflix. Go in with no expectations and you will find yourself in awe of excellent writing and even better dramatic performance.
David Chase should be writing the movie right now.